AboutWhere to watch

Four Wildernesses One Season

Africa

Four Wildernesses One Season

Borneo

Four Wildernesses One Season

Arctic

Episode One A herd crosses the last standing water in the Mopane basin, nine hours after the pan behind them ran dry.

Watch trailer
About the series

Four crews. Thirty-one months in the field. And one question we could not stop asking — how does anything still make a living out here?

Every animal in this series is solving a problem. A drying pan. A shorter winter. A forest cut into islands. We built the season around those problems rather than around scenery, and stayed long enough to watch them get solved — or not.

Nothing here is staged, baited, or re-cut from library footage. Where we could not film a behaviour honestly, we left it out and said so in the episode notes.

Format
4 x 58 minutes, 8K
Field period
Mar 2023 – Oct 2025
Narration
14 languages
Certification
Suitable for all ages
Episode guide

The four films, in the order we shot them

Each episode follows one wilderness through a single turning point in its year — the week the water arrives, or leaves.

EP 01

The Long Dry

Southern Africa · 58 min

Elephant matriarchs hold sixty years of route memory. We followed one herd for eleven weeks and filmed the moment the youngest calf learned the road.

EP 02

Wind Country

Patagonia · 58 min

A puma raising four cubs in open steppe cannot hide a kill. A winter spent watching her trade concealment for speed, and what that costs by season's end.

EP 03

Islands in the Green

Borneo · 58 min

Canopy rigs at 48 metres, left running nine months. They recorded a forest that now works as fragments, and hornbills learning to cross open ground.

EP 04

Late Ice

High Arctic · 58 min

The freeze now arrives three weeks later than when our field guide was born. The animals waiting on it, told from a camp that had to be moved twice.

The full episode guide

The field record

What it took to get four hours of film

Every figure below is taken from the production log, not from the press pack.

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Days on location

Across nine field trips, the longest running 71 consecutive days without resupply.

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Hours of rushes

Roughly 297 hours of footage shot for every hour that made the final cut.

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Countries and territories

Every permit secured through resident partners, with local crew on each shoot day.

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Behaviours filmed first

Nine sequences reviewed by external biologists and confirmed as first-of-kind footage.

The matriarch who remembers the road Ep 01 · Frame 0412
Spotlight

The matriarch who remembers the road

She is fifty-eight years old and the only reason her family is still alive. When the seasonal pans failed in the third year of drought, she walked her herd 210 kilometres to a spring she last drank from as a calf — a route none of the younger cows had ever travelled.

Our tracking team followed at 400 metres for eleven weeks. She never once stopped to search. She simply walked, and everyone behind her learned the way.

Estimated age
58 years
Herd size
19, including four calves under three
Distance walked on camera
210 km in 34 days
Filming distance held
Minimum 400 m at all times

Watch episode one

Official trailer

Two minutes, not one frame of it staged

Cut entirely from finished sequences. Nothing in it was filmed for promotion, and nothing appears in a different form in the episodes.

2:14 runtime 8K HDR Audio described 14 subtitle languages
Contact sheet

Rushes, straight off the cards

Sheet 07 Reel A-014 8 frames
F-0114 00:41:22
First light, day 61 Mopane basin · 400mm · T2.8
F-0231 06:12:04
Above the thorn line Acacia belt · 135mm · T4
F-0388 11:55:47
The flood arrives Delta margin · 200mm · T2.8
F-0402 18:03:19
The storm that ended the dry Northern pans · 24mm · T5.6
F-0455 21:40:08
Crossing at dusk Eastern corridor · 85mm · T2
F-0511 26:17:53
Waiting out the heat Rock shelter · 300mm · T4
F-0603 33:29:11
Rig four, month nine Borneo canopy · 14mm · T3.5
F-0740 44:08:36
Waiting on the freeze High Arctic · 50mm · T2.8

Frame numbers and timecodes are as logged on location. Nothing on this sheet has been colour graded — these are straight card pulls.

Conservation

Filming rules we do not break

Written before the first shoot and audited after each one. Any crew member can stop a shot under them, and three shots were stopped.

Distance before footage

Minimum approach distances are set by the resident biologist, not the director. If an animal changes what it is doing because of us, the camera stops and we withdraw.

No bait, no call playback

We do not feed, lure, or draw animals with recorded calls. Every behaviour in the series happened whether or not a camera was present.

Local crew on every shoot

Twenty-two of our thirty-one field roles were filled by people living inside the areas we filmed. Fixers are credited on screen as crew, not as service providers.

Locations withheld

Coordinates for denning, nesting, and rhino sequences are stripped from all published material. We will not trade an animal's safety for a location tag.

A fixed share of every licensing fee goes back to the ranger units and community trusts that made the filming possible — committed at contract stage, not decided afterwards.

Read the policy
The crew

Four people who spent most of three years outdoors

Ade Fenwick

Series director

Cut the Borneo canopy episode from nine months of unattended rig footage. Believes a sequence is finished when nothing else can be removed from it.

Priya Raghunath

Lead camera

Shot the 34-day elephant walk on a long lens from a moving vehicle. Holds the production record for consecutive days without a usable shot: eighteen.

Tomás Bergara

Field biologist

Sets approach distances and can end any shot. Spent the Patagonia winter scat-sampling to confirm the puma's litter before we filmed her.

Nkechi Olawale

Location sound

Recorded the Arctic ice-shift audio that opens episode four. Every ambience in the series is location sound — there is no library track in the mix.

Meet the whole crew

Press

What reviewers said after the festival cut

Field dispatch

One letter a month, sent from wherever the crew is

Shoot notes, unpublished stills, and next season's schedule before it goes public. No sponsorship, no forwarding, one click to stop it.

    Roughly 11 letters a year. We have never sent two in a week.

    Contact

    Licensing, press, and footage requests

    Broadcast licensing, festival submissions, educational use, and archive footage all come through the same desk. We answer within two working days, and faster if you are on a deadline.

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    Production office
    123 Maplewood Lane Apartment 4B
    Springfield, IL 62704 USA