Independent of the Year
Design Council annual, art direction category
Winner
The long version
I spent my twenties inside agencies making things look expensive. Somewhere around the fourth rebrand that never shipped, I started asking what the work was actually for. These days I take fewer clients, ask the awkward questions in week one, and stay until the thing is live.
Working together
Send me yours and I will tell you what I would do with it — honestly, and before there is any question of an invoice. If it is not a fit, I will name someone who is.
Send me the briefThe shape of it
The order is load-bearing. Each stage hands the next one something it cannot start without, which is how we avoid designing a screen for a decision nobody has made.
Two calls with you, four with your customers, plus every support ticket you are willing to share. I come back with the problem in one paragraph and you tell me where I got it wrong.
Week 1Structure, flows and the hard trade-offs on paper before anything gets styled. You sign off a skeleton, which costs far less to change than a finished screen.
Week 2Full-fidelity work with real copy and the ugly states included — loading, empty, error, name-far-too-long. Reviewed live, cameras on, every Thursday.
Weeks 3–5Component library, tokens, a written spec and a walkthrough with your engineers. A month of questions answered at no charge afterwards.
Week 6How I work
Tools your team already has, files your team can open, and a handover that does not depend on me answering messages six months from now.
The shelf
Design Council annual, art direction category
WinnerFor the Petrichor reporting rebuild
FeatureUndergrove checkout, WCAG 2.2 AA audit passed
MeritRegional Brand Awards, shortlisted from 410 entries
FinalistTalk: designing the states nobody screenshots
TalkIn their words
Two slots open from September
Tell me what is broken, who it is breaking for, and what happens if it stays that way. That is enough for me to come back with a scope and a number.