Priya Raman: Second Helpings
A debut cookbook built from the sketches that made Priya’s name online. First print run sold out in nine days, with a foreword from a two-star chef and a 14-date signing tour.
We manage comedians, athletes, broadcasters, creators and actors. One team handles the deals, the press and the long-term plan, so the person in front of the camera can focus on the work.
About the agency
SWP began as a two-person office above a comedy club in Soho. Ten years on, we represent more than 180 people across three cities, but the model has not changed: a small team per client, direct access to a senior manager, and no deal signed that we would not sign ourselves.
We handle commercial partnerships, broadcast and streaming bookings, publishing, live touring and press. Where it is useful, we build ventures alongside clients, from podcast networks to product lines.
Read our storyStart here
Brands, talent and press each need something different from us. Pick your route and we will take you to the right place.
Browse the roster by division, request a shortlist and receive rates and availability within two working days.
Browse the roster For talentSee what we look for, how the first ninety days work, and send a submission that a partner reads personally.
Apply for representation For press and producersSend a request with your outlet, deadline and the client you need. Same-day replies for anything on a broadcast deadline.
Contact the press deskTalent
Six divisions, one standard. Every client on the list is someone a brand, broadcaster or publisher can build a campaign around.
Featured talent
Case studies
A debut cookbook built from the sketches that made Priya’s name online. First print run sold out in nine days, with a foreword from a two-star chef and a 14-date signing tour.
After two seasons on a Saturday-night dance show, Marcus and his professional partner took the only publicly voted category at the national television awards.
An eight-part craft competition hosted by an Olympic swimmer with a serious knitting habit. Developed with SWP, commissioned by a terrestrial broadcaster, renewed for a second series.
A three-year global ambassador deal for a sprinter who had never fronted a campaign. Includes a signature trainer and creative approval on every asset.
A book-club community that grew from a comment section to 60,000 members, live events in four cities and a licensed podcast on Orbit Streaming.
The reality star’s first memoir, published this spring. Serialised in a national weekend paper and optioned for a documentary series within a month of release.
Services
Each client gets a lead manager plus specialists from the departments they need. Nothing is outsourced.
Ambassador deals, collaborations and campaign work.
Presenting, panel and reality bookings, plus formats.
Memoirs, cookbooks and illustrated titles.
Tours, festivals, speaking and live podcast dates.
Launch campaigns, placement and day-to-day media.
Contracts, rights management and financial planning.
Clients
They turned down the first three offers that came in after my show aired. The fourth was the one worth taking. That is the job.
I came in with an audience and no plan. Two years later I have a book, a tour and a contract I actually understand.
The brand side was quiet and precise. We agreed terms in a week and nothing in the contract surprised our legal team.
They routed the whole tour around a filming block nobody else spotted. That is the difference between a diary and a plan.
Every press request goes to a person, not a queue. On a broadcast deadline that is worth more than anything else they do.
For talent
We take on around twenty new clients a year across all six divisions. Every submission is read by a partner and answered within three weeks. If we say yes, this is what the first three months look like.
A two-hour session on where you are, what you have turned down and what you want to be doing in five years.
We write a one-page brief that every manager, publicist and agent on your team works from. You approve every word.
Targeted introductions to commissioners, brand leads and editors who already fit the brief. No mass mailouts.
We close, contract and manage delivery, then review the numbers with you every quarter.
Leadership
Every partner still manages a personal list. No one here is only a name on the letterhead.
Founder and managing partner, London
Partner, head of brand partnerships
Partner, broadcast and formats, Los Angeles
Partner, publishing and live, New York
Questions
The questions we are asked most. Anything else, send a note and a partner will answer.
Within two working days for availability and rates. If your date is inside a week, phone the London office and we will answer the same day.
We work on commission only. There are no sign-up fees, retainers or charges for portfolio work. Commission rates are set out in the agreement before you sign anything.
Yes for the divisions we manage. If you have an existing acting or literary agent, we work alongside them and agree the split in writing at the start.
A point of view you own rather than a format you copy; momentum in audience, bookings or credits; regular output over the last twelve months; and ambition beyond the feed, whether that is broadcast, publishing, live or product.
Yes. About a third of the roster joined with under 50,000 followers. We look at the direction of travel and the quality of the work more than the number.
Of course. Name them in the form and we will come back with availability, rates and any exclusivity that applies.
Any of them. Requests are routed to the manager who looks after the client, wherever they sit. Time zones are covered between London and Los Angeles.
Contact
One form for everything. Choose why you are writing and it goes straight to the right desk. A partner replies within two working days.
Journal
Deal notes, contract explainers and what we are seeing across commissioning, brand and publishing.
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Roster updates
New signings, availability windows and campaign case studies — one email a month, no press releases.