01
Conversation
An hour on a call, unpaid. We work out what the book actually is and whether I am the right person to write it.
Commissions
Four kinds of job, priced by project rather than by hour. Every commission starts with a paid outline so both of us can see the shape of the thing before the writing begins.
Full-length fiction and non-fiction, delivered in monthly instalments.
02Your voice, your name alone on the jacket.
03Homepages and about pages for companies that would rather sound like people.
04A twelve-page structural report on a finished draft.
05Monthly essays and features for magazines and supplements.
06Talks, keynotes and wedding speeches that sound like you.
Working method
Dates are agreed at the start and I send a short progress note every Friday, whether or not there is good news in it.
01
An hour on a call, unpaid. We work out what the book actually is and whether I am the right person to write it.
02
A paid outline of eight to fifteen pages covering structure, voice, chapter order and the material still missing.
03
Chapters arrive monthly. You read as they land and comment in the margins rather than waiting for a finished book.
04
Two revision rounds, a clean manuscript, a style sheet, and the files in whatever format your publisher asks for.
What lands on the desk
Novels and novellas, written from a settled outline and delivered chapter by chapter.
Memoir and business books written in your voice, with your name alone on the jacket.
Monthly essays and features for magazines, newsletters and Sunday supplements.
Before you write in
Usually four to six months for a full manuscript and six to eight weeks for shorter copy work. Assessment reports can often start within a fortnight. If the date matters, say so in your first message.
No. Ghostwriting is a flat project fee paid in three instalments, and the copyright is assigned to you on final payment. It keeps the working relationship simple and it means I have no say in how the book is sold.
Yes, unless you ask otherwise. Ghostwritten work is covered by a mutual confidentiality agreement and I do not list those projects publicly, including on this site.
That is the usual arrangement for memoir. We record twelve to twenty conversations, I have them transcribed, and the transcripts become the raw material. You never have to write a word yourself.
Two revision rounds are included in every quote. If the direction is wrong after the first delivered chapter, either of us can stop the project there and you pay only for the work delivered.
Start a conversation
Two or three paragraphs is plenty: what it is, who it is for, and when you would like it finished. I reply to everything within two working days, including the ones I have to turn down.
123 Maplewood Lane Apartment 4B
Springfield, IL 62704 USA
Every commission
Homepages and about pages for companies that would rather sound like people.
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